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LOT 36

William Eggleston Untitled (Stage 14 Parking Lot, Hollywood)

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William Eggleston
b. 1939
Untitled (Stage 14 Parking Lot, Hollywood)

Iris print, signed in ink in the margin, the photographer's copyright stamp, with edition '4/7' in ink, on the reverse, framed, 1999-2000, printed in 2001
image: 45.5 by 68.7 cm (17⅞ by 27 in.)
frame: 64 by 81.1 cm (25¼ by 31⅞ in.)

Condition Report:
Please note the colours and shades in the online catalogue illustration may vary depending on screen settings.

This Iris print, on matte-surface paper, is in generally excellent condition. The colours remain bright and saturated, with no apparent signs of fading. The print is tipped to a mount in the upper margin corners. 'EAT # 0105.080' is written in an unidentified hand in ink on the reverse.

Catalogue Note:
Many argue that William Eggleston’s unique visual practice single-handedly propelled colour photography into the realm of fine art. His images of cars and car parks are a cornerstone of his Americana-infused landscapes. A close look at the present image reveals a playful twist, an optical illusion. While the background of the image seems to be dominated by a sweeping blue sky, one discovers that it is in fact a painted wall, likely part of a film set.

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Time, Location
13 Jun 2023
UK, London
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[ translate ]

William Eggleston
b. 1939
Untitled (Stage 14 Parking Lot, Hollywood)

Iris print, signed in ink in the margin, the photographer's copyright stamp, with edition '4/7' in ink, on the reverse, framed, 1999-2000, printed in 2001
image: 45.5 by 68.7 cm (17⅞ by 27 in.)
frame: 64 by 81.1 cm (25¼ by 31⅞ in.)

Condition Report:
Please note the colours and shades in the online catalogue illustration may vary depending on screen settings.

This Iris print, on matte-surface paper, is in generally excellent condition. The colours remain bright and saturated, with no apparent signs of fading. The print is tipped to a mount in the upper margin corners. 'EAT # 0105.080' is written in an unidentified hand in ink on the reverse.

Catalogue Note:
Many argue that William Eggleston’s unique visual practice single-handedly propelled colour photography into the realm of fine art. His images of cars and car parks are a cornerstone of his Americana-infused landscapes. A close look at the present image reveals a playful twist, an optical illusion. While the background of the image seems to be dominated by a sweeping blue sky, one discovers that it is in fact a painted wall, likely part of a film set.

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
13 Jun 2023
UK, London
Auction House
Unlock