Xu Bing, Five Series of Repetition: (i) Haystack Reflection; (ii) Black Pool; (iii) Withered Pool; (iv) Pool of Life; (v) Black Tadpoles; (vi) Field; (vii) Big River; (viii) Moving Cloud; (ix) Farmland; (x) Mountain Place

Five Series of Repetition: (i) Haystack Reflection; (ii) Black Pool; (iii) Withered Pool; (iv) Pool of Life; (v) Black Tadpoles; (vi) Field; (vii) Big River; (viii) Moving Cloud; (ix) Farmland; (x) Mountain Place

(i) signed, stamped with the artist's seal, titled and dated '28/50 ""Haystack Reflection"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(ii) signed, stamped with the artist's seal, titled and dated '28/50 ""Black Pool"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(iii) signed, stamped with the artist's seal, titled and dated '28/50 ""Withered Pool"" Xu Bing [in Chinese and Pinyin] 1988' lower edge
(iv) signed, stamped with the artist's seal, titled and dated '28/50 ""Pool of Life"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(v) signed, stamped with the artist's seal, titled and dated '28/50 ""Black Tadpoles"" Xu Bing [in Chinese and Pinyin] 1988' lower edge
(vi) signed, stamped with the artist's seal, titled and dated '28/50 ""Field"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(vii) signed, stamped with the artist's seal, titled and dated '28/50 ""Big River"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(viii) signed, stamped with the artist's seal, titled and dated '28/50 ""Moving Cloud"" Xu Bing [in Chinese and Pinyin] 1987' lower edge
(ix) signed, stamped with the artist's seal, titled and dated '28/50 ""Farmland"" Xu Bing [in Chinese and Pinyin] 1988' lower edge
(x) signed, stamped with the artist's seal, titled and dated '28/100 ""Mountain Place"" Xu Bing [in Chinese and Pinyin] 1988' lower edge
woodcut prints (set of 10)
each 47.5 x 71.6 cm. (18 3/4 x 28 in.)
(i)-(ii), (iv), (vi)-(viii) Executed in 1987, this work is number 28 from an edition of 50.
(iii), (v), (ix) Executed in 1988, this work is number 28 from an edition of 50.
(x) Executed in 1988, this work is number 28 from an edition of 100.

Provenance:
Linda Gallery, Beijing
Acquired from the above by the present owner