Yvaral (Jean-Pierre Vasarely) (1934-2002), INTERFERENCE
YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH
INTERFERENCE (2M), 1967
Relief sculpture with screenprint in white on a painted blue wooden panel with metal tubes and elastic string; an unsigned proof, aside from the edition of about 50, published by Éditions Denise René, Paris
24.25 ins x 24.25 ins x 9.5 ins; 61.6 cms x 61.6 cms x 24.1 cms
Provenance:
The Estate of Ethel Roskies, Montreal
Note:
Yvaral, the son of Op art pioneer Victor Vasarely, was a French artist best known for producing optical and kinetic art derived from computer programming and is recognized for coining the term "Numerical Art" in 1975. This new art-making process was at the cutting edge of technology, coinciding with the advent of personal computers.
Yvaral used computers to digitally manipulate images based on algorithms as the foundation for his artwork but then produced the finished work either though painting or sculpture. These technological underpinnings can be witnessed in all of his work, providing a link between the digital and physical.
Estimate: $2,000—3,000
Estimate
Time, Location
Auction House
YVARAL (JEAN-PIERRE VASARELY) (1934-2002), FRENCH
INTERFERENCE (2M), 1967
Relief sculpture with screenprint in white on a painted blue wooden panel with metal tubes and elastic string; an unsigned proof, aside from the edition of about 50, published by Éditions Denise René, Paris
24.25 ins x 24.25 ins x 9.5 ins; 61.6 cms x 61.6 cms x 24.1 cms
Provenance:
The Estate of Ethel Roskies, Montreal
Note:
Yvaral, the son of Op art pioneer Victor Vasarely, was a French artist best known for producing optical and kinetic art derived from computer programming and is recognized for coining the term "Numerical Art" in 1975. This new art-making process was at the cutting edge of technology, coinciding with the advent of personal computers.
Yvaral used computers to digitally manipulate images based on algorithms as the foundation for his artwork but then produced the finished work either though painting or sculpture. These technological underpinnings can be witnessed in all of his work, providing a link between the digital and physical.
Estimate: $2,000—3,000
