ZAO WOU-KI 赵无极 (1920 - 2013) - UNTITLED - 1962
Zao Wou-Ki 赵无极 (1925 - 2013)
Untitled abstract - 1962
Oil on canvas
Signed and dated
Measures approx. 80cm x 120cm
Provenance: from a private Somerset collection.
Born in Beijing in 1920, Zao Wou-Ki is a modern Chinese-French painter affiliated with Lyrical Abstraction. His early interest in art was largely encouraged by his family. At 15, Zao attended the School of Fine Arts in Hangzhou, where he received formal art training under Lin Fengmian, a highly regarded pioneer of modern Chinese painting who was also a mentor for the artist Chu Teh-Chun. During these formative years, Zao painted predominantly figurative works and idolised modern Western masters.
In 1948, Zao moved to Paris with his first wife Lalan to embark on a new artistic journey. Settling down in the creative district of Montparnasse, Zao befriended artists such as Alberto Giacometti and Joan Miró, and spent many afternoons in the Louvre. There in Paris, Zao worked alongside fellows of the École de Paris to reclaim the power of abstraction amidst the rising post-war criticism of the style. He also met abstract painters including Jean-Paul Riopelle, Joan Mitchell and Pierre Soulages, who would become a lifelong friend.
Zao travelled frequently in the late 1950s, particularly to New York where he met Abstract Expressionists including Franz Kline, Barnett Newman and Adolph Gottlieb. The visceral expression of the New York School was impactful for Zao. He developed a more gestural, expressive style on larger canvases over the next two decades, which would come to be defined as his ‘Hurricane Period’ — an apex of his career. In May 2022, Zao's colossal painting 29.09.64. (1964) sold for $35,414,464 at Christie’s. Depicting the speed and energy of a surreal landscape in diverse shades of blue with explosive lines, the work is emblematic of this period.
In 1982, the Galeries Nationales du Grand Palais in Paris was the first French museum to hold a solo exhibition of Zao, 20 years before he was elected to the French Academy of Fine Arts. His first museum retrospective in the United States, No Limits: Zao Wou-Ki, opened at the Asia Society in New York in September 2016, three years after his death in 2013.
A true ‘transnational’ artist, Zao’s works are housed in public collections in more than 20 countries.
View it on
Sale price
Estimate
Reserve
Time, Location
Auction House
Zao Wou-Ki 赵无极 (1925 - 2013)
Untitled abstract - 1962
Oil on canvas
Signed and dated
Measures approx. 80cm x 120cm
Provenance: from a private Somerset collection.
Born in Beijing in 1920, Zao Wou-Ki is a modern Chinese-French painter affiliated with Lyrical Abstraction. His early interest in art was largely encouraged by his family. At 15, Zao attended the School of Fine Arts in Hangzhou, where he received formal art training under Lin Fengmian, a highly regarded pioneer of modern Chinese painting who was also a mentor for the artist Chu Teh-Chun. During these formative years, Zao painted predominantly figurative works and idolised modern Western masters.
In 1948, Zao moved to Paris with his first wife Lalan to embark on a new artistic journey. Settling down in the creative district of Montparnasse, Zao befriended artists such as Alberto Giacometti and Joan Miró, and spent many afternoons in the Louvre. There in Paris, Zao worked alongside fellows of the École de Paris to reclaim the power of abstraction amidst the rising post-war criticism of the style. He also met abstract painters including Jean-Paul Riopelle, Joan Mitchell and Pierre Soulages, who would become a lifelong friend.
Zao travelled frequently in the late 1950s, particularly to New York where he met Abstract Expressionists including Franz Kline, Barnett Newman and Adolph Gottlieb. The visceral expression of the New York School was impactful for Zao. He developed a more gestural, expressive style on larger canvases over the next two decades, which would come to be defined as his ‘Hurricane Period’ — an apex of his career. In May 2022, Zao's colossal painting 29.09.64. (1964) sold for $35,414,464 at Christie’s. Depicting the speed and energy of a surreal landscape in diverse shades of blue with explosive lines, the work is emblematic of this period.
In 1982, the Galeries Nationales du Grand Palais in Paris was the first French museum to hold a solo exhibition of Zao, 20 years before he was elected to the French Academy of Fine Arts. His first museum retrospective in the United States, No Limits: Zao Wou-Ki, opened at the Asia Society in New York in September 2016, three years after his death in 2013.
A true ‘transnational’ artist, Zao’s works are housed in public collections in more than 20 countries.
