Sam Francis Untitled
Sam Francis
1923 - 1994
Untitled
signed and dated 1977 (on the verso)
watercolour and acrylic on paper
55,6 x 43,5 cm; 21⅞ x 17⅛ in.
Executed in 1977.
This work is identified with the identification number SF77-075 in the Sam Francis: Online Catalogue Raisonné Project.
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Sam Francis
1923 - 1994
Sans Titre
signé et daté 1977 (au dos)
gouache et acrylique sur papier
55,6 x 43,5 cm ; 21⅞ x 17⅛ in.
Exécuté en 1977.
Cette œuvre porte le numéro d'identification SF77-075 dans le Sam Francis: Online Catalogue Raisonné Project.
Condition Report:
The work was executed on paper attached to the support in several places along the edges. The edges of the paper are unevenly cut. There are pinholes in the top right and bottom left corners. The paper is slightly undulating in line with the artist's chosen technique. Upon very close inspection there is a small ‘chip’ to the surface of the dark purple ink to one element of the composition, left of the centre towards the upper edge. The work is in overall very good condition.
Provenance:
Manny Silverman Gallery, Los Angeles (acquired directly from the artist)
Jonathan Novak Contemporary Art Gallery, Los Angeles
Private collection, New York
Jonathan Novak Contemporary Art Gallery, Los Angeles
Acquired from the above by the present owner in 2001
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Sam Francis
1923 - 1994
Untitled
signed and dated 1977 (on the verso)
watercolour and acrylic on paper
55,6 x 43,5 cm; 21⅞ x 17⅛ in.
Executed in 1977.
This work is identified with the identification number SF77-075 in the Sam Francis: Online Catalogue Raisonné Project.
____________________________________________________________________
Sam Francis
1923 - 1994
Sans Titre
signé et daté 1977 (au dos)
gouache et acrylique sur papier
55,6 x 43,5 cm ; 21⅞ x 17⅛ in.
Exécuté en 1977.
Cette œuvre porte le numéro d'identification SF77-075 dans le Sam Francis: Online Catalogue Raisonné Project.
Condition Report:
The work was executed on paper attached to the support in several places along the edges. The edges of the paper are unevenly cut. There are pinholes in the top right and bottom left corners. The paper is slightly undulating in line with the artist's chosen technique. Upon very close inspection there is a small ‘chip’ to the surface of the dark purple ink to one element of the composition, left of the centre towards the upper edge. The work is in overall very good condition.
Provenance:
Manny Silverman Gallery, Los Angeles (acquired directly from the artist)
Jonathan Novak Contemporary Art Gallery, Los Angeles
Private collection, New York
Jonathan Novak Contemporary Art Gallery, Los Angeles
Acquired from the above by the present owner in 2001