STATUETTE DE TARA VERTE EN ALLIAGE DE CUIVRE DORÉ KHASA MALLA, XIVE SIÈCLE

STATUETTE DE TARA VERTE EN ALLIAGE DE CUIVRE DORÉ
KHASA MALLA, XIVE SIÈCLEHimalayan Art Resources item no. 4612 18.8 cm (7 3/8 in.) high

A GILT COPPER ALLOY FIGURE OF GREEN TARAKHASA MALLA, 14TH CENTURY卡薩馬拉 十四世紀 銅鎏金綠度母像 Provenance:With Claude de Marteau, Brussels, by 1970s Her eyes and lips accentuated with the application of cold gold, red, and white pigments, Green Tara casts a warm and empathic smile toward the viewer. The lotus and blue lily blossoming over her shoulders reflect her pure nature as the mother of all Buddhas. Likewise, as the female bodhisattva of compassion, she waits attentively with one hand outstretched in the gesture of wish-granting and one leg pendant, ready to rise to the aid of her devotees. The delineation of the joints of Tara's fingers, in addition to the application of red lacquer to the flattened back of her lotus base, are stylistic features associated with the Khasa Mallas, a Buddhist kingdom in Western Tibet and Nepal whose artists produced paintings and sculptures infused with the styles of neighboring artistic centers (see Alsop, "The Metal Sculpture of the Khasa Malla Kingdom", in Singer & Denwood (eds.), Tibetan Art: Towards a Definition of Style, 1997, pp. 68-79). For instance, the present figure's hooked nose and rounded jawline bear a strong similarity to two images: a gilt bronze of Green Tara sold at Bonhams, Hong Kong, 2 October 2018, lot 154; and a portrait of a Khasa Malla Queen, now in the National Museum of Asian Art, Washington, D.C. (F1986.23).