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LOT 65

HELMUT NEWTON | 'ERICA’S ACCIDENT', HOLLYWOOD, 1987

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HELMUT NEWTON
1920-2004
'ERICA’S ACCIDENT', HOLLYWOOD, 1987

Silver print. Signed, titled and dated in red pencil, and numbered 7/10 in pencil on verso. With a gallery label bearing information about the work in facsimile affixed to the back of the frame. Matted and framed.
Image 59 x 45 cm (23⅓ x 17¾ in);
sheet 60.5 x 50.8 cm (23¾ x 20 in.)

Condition Report:
This beautiful print, with a glossy surface, is in overall very good condition. With undulation to the top and bottom edges of the print, and XXXXXXXXXX red marks on verso, doesn't look to be a condition issue but perhaps residue from a backing board of a previous frame XXXXXXXXXXXXX.
This work has been framed by John Jones, and has an ultraviolet filtering, low iron and low reflective acrylic front.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Provenance:
Private collection, UK

Christie's Los Angeles, Photographs from the Twentieth Century, 17 January 2001, lot 175

Hamiltons Gallery, London

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Time, Location
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UK, London
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[ translate ]

HELMUT NEWTON
1920-2004
'ERICA’S ACCIDENT', HOLLYWOOD, 1987

Silver print. Signed, titled and dated in red pencil, and numbered 7/10 in pencil on verso. With a gallery label bearing information about the work in facsimile affixed to the back of the frame. Matted and framed.
Image 59 x 45 cm (23⅓ x 17¾ in);
sheet 60.5 x 50.8 cm (23¾ x 20 in.)

Condition Report:
This beautiful print, with a glossy surface, is in overall very good condition. With undulation to the top and bottom edges of the print, and XXXXXXXXXX red marks on verso, doesn't look to be a condition issue but perhaps residue from a backing board of a previous frame XXXXXXXXXXXXX.
This work has been framed by John Jones, and has an ultraviolet filtering, low iron and low reflective acrylic front.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Provenance:
Private collection, UK

Christie's Los Angeles, Photographs from the Twentieth Century, 17 January 2001, lot 175

Hamiltons Gallery, London

[ translate ]
Sale price
Unlock
Estimate
Unlock
Reserve
Unlock
Time, Location
16 May 2019
UK, London
Auction House
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