Venezianisch (Pietro Liberi ?) Madonna and Child
Oil on canvas, relined, after Paolo Veronese. (17th century). 40.1 x 66.6 cm. Framed.
Period
15th-18th Century
Technique
Oil
Details
Literatur:
Ugo Ruggeri, Pietro e Marco Liberi. Pittori nella Venezia del Seicento, Rimini 1996, S. 123, Kat.-Nr. P 25, mit Abb. S. 124 (als Pietro Liberi).
Ausstellung:
Meisterwerke aus baden-württembergischem Privatbesitz, Staatsgalerie Stuttgart, 1958/59 (ausgestellt als Paolo Veronese).
Provenienz:
Sammlung Conte de Sommariva, 1839;
Sammlung Prinzessin Mathilde;
Sammlung Baron Vita, diese und die vorausgehenden Besitzer verso auf altem Klebeetikett gelistet;
Sotheby’s, Auktion, wohl 1960er Jahre, verso mit diversen Klebeetiketten, Los 192;
Richard H. Zinser (1884-1984), New York;
seitdem in Familienbesitz, USA.
Description
After a fresco by Paolo Caliari, known as “il Veronese”, in the Stanza dell’amore coniugale, Villa Barbaro, in Maser (Treviso). Exhibited in the Stuttgart State Gallery in 1958/59, the string tercet was still attributed to Veronese before Rodolfo Pallucchini suggested a Venetian painter of the 17th century, namely Pietro Liberi (1605-1687). Liberi studied under Alessandro Varotari (“il Padovanino”), also from Padua, and was thus a descendant of the great Venetian painting tradition of the Cinquecento.
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Oil on canvas, relined, after Paolo Veronese. (17th century). 40.1 x 66.6 cm. Framed.
Period
15th-18th Century
Technique
Oil
Details
Literatur:
Ugo Ruggeri, Pietro e Marco Liberi. Pittori nella Venezia del Seicento, Rimini 1996, S. 123, Kat.-Nr. P 25, mit Abb. S. 124 (als Pietro Liberi).
Ausstellung:
Meisterwerke aus baden-württembergischem Privatbesitz, Staatsgalerie Stuttgart, 1958/59 (ausgestellt als Paolo Veronese).
Provenienz:
Sammlung Conte de Sommariva, 1839;
Sammlung Prinzessin Mathilde;
Sammlung Baron Vita, diese und die vorausgehenden Besitzer verso auf altem Klebeetikett gelistet;
Sotheby’s, Auktion, wohl 1960er Jahre, verso mit diversen Klebeetiketten, Los 192;
Richard H. Zinser (1884-1984), New York;
seitdem in Familienbesitz, USA.
Description
After a fresco by Paolo Caliari, known as “il Veronese”, in the Stanza dell’amore coniugale, Villa Barbaro, in Maser (Treviso). Exhibited in the Stuttgart State Gallery in 1958/59, the string tercet was still attributed to Veronese before Rodolfo Pallucchini suggested a Venetian painter of the 17th century, namely Pietro Liberi (1605-1687). Liberi studied under Alessandro Varotari (“il Padovanino”), also from Padua, and was thus a descendant of the great Venetian painting tradition of the Cinquecento.
Estimate
Time, Location
Auction House
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